I trust it will come as news to very few that the canonical gospels offer us two Christmas stories, and to those who have actually read the accounts it is clear that the two bear little resemblance to one another.  To be sure, the names of the infant, his mother, his nominal father, and the place of birth are the same; but nearly all the other details stand in striking and irreconcilable conflict.  Does this mean that Matthew’s narrative or Luke’s—or both—are simply to be rejected as wildly unreliable? Not if we adopt the strategy of understanding the two tales not as failed attempts at history, but as brilliantly conceived and wonderfully effective parables.

Phoenix Affirmations full version from CrossWalk America

This is the Passion story. The story of Jesus' betrayal and his death. Come and walk with the people that were with him during that time.

A Play by RB Sperling with E. Lindsay and C. Toaspern. Drama Setting: After the crucifixion of Jesus, witnessed by Mary, his mother, and James, his brother, Mary approaches the empty cross; James discovers her there. Devastated by the death of her son, Mary seeks solace in the last place she saw him. James, fearful of encountering the centurions who crucified his brother, seeks temporary protection in his mother's arms. Together they try to understand what the future may hold for them.

A sermon for the Baptism of the Lord Sunday, or for any day dealing with themes of the human place within creation and nurturing our relationship with it.  It rather directly challenges literalist understandings of Scripture, especially the creation myths.

One of features marking the renaissance of Jesus studies is the centrality of the social world of Jesus. Because meanings are embedded in a social world, if we are to understand and appreciate what Jesus said and did, his message and activity need to be located in his social world.