About the Author: Jamieson Spencer

Jamie Spencer, a St. Louis native, is a retired high-school English teacher and community college professor. He has written book and music reviews for the St. Louis Post-Dispatch and serves as a book reviewer for the Missouri Historical Society's Gateway Magazine and Washington University's Common Reader. Modified Raptures is his first romantic novel. An earlier non-fiction book, Fictional Religion, is a set of essays that identify important religious themes to be found in great literature, from Chaucer and Shakespeare to Larkin and Faulkner. He's a volunteer with the St. Louis Symphony and with the Opera Theater of St. Louis, along with teaching a variety of Adult Education classes, on English religious poetry, and on Shakespeare, Milton and Larkin. He lives with his wife Anna Ahrens, a private school History teacher, in Des Peres, Missouri, a St. Louis suburb.
  • By Published On: April 2, 2020

    I guess after half a millennium it is high time to re-examine the Reformation. After all, that revolution was a considerable first step in Christianity’s long pilgrimage to today’s more confident and iconoclastic Progressive form.

  • Voices of Courage in a Time of Climate Crisis

    By Published On: January 16, 2020

    It is wonderful to find insights and practices like these getting into print. These essays voice for me just the sorts of issues our new and more selective faith(s) should be guiding us toward, climate above all.

  • By Published On: December 7, 2019

    The story should be approached more carefully in order to capture its spirit, its “message,” and less doctrinally. Though we have come to celebrate this gem as a—perhaps the--Christmas story, I’d urge us progressives to put aside the story’s Christian provenance while still admiring its central, its deeply humane affirmation. And we should above all appreciate the profoundly secular arena in which it plays out.

  • By Published On: November 6, 2019

    William Irwin has written a very clear and articulate argument in support of the special value of doubt. Both modest and yet far-ranging, the book gets into both epistemological and theological matters. Irwin proposes a new and challenging way to approach a Being whom we have grown up thinking of as Almighty, as an Absolute.

  • By Published On: March 1, 2018

    Progressive thinkers cannot avail ourselves of the false security fundamentalist believers bring to church Sundays and to the Bible daily. We can, however, compensate for our dismissal of literalism with an answerably intense commitment to metaphor. And metaphor proves especially powerful in narratives. Narrative masters like Dickens can move our hearts as they bring our fellow creatures vividly and credibly alive. But they can do more: they can provoke our intellects and excite our imaginations. We love a story, instinctively, but we go a step farther and subject the tale to closer scrutiny and more probing critical analysis. (That, incidentally, is why I find Luke’s story of the road to Emmaus one of the most affecting New Testament narratives. It’s an account of a real-life journey, peopled with thoughtful and feeling human beings, who move from grief to joyful insight.)

  • By Published On: February 11, 2016

    “It is reassuring to read that the Episcopal Church does not intend to compromise its support for gay marriage (“Episcopal Church Stands firm

  • By Published On: May 20, 2015

      A famous poet, William Wordsworth defined poetry as “emotion recollected in tranquility.” I wonder if it might be productive to apply that

  • By Published On: April 12, 2012

    Music is, to my mind, the purest form of artistic expression, even when, as in most of these religious works I am examing, it is wedded to Biblical texts and thus tied implicitly to the doctrinal expressions of faith they proclaim.

  • By Published On: November 6, 2011

    The books of the New Testament are not the infallible words of God. The texts were in a state of flux during the faith s early centuries. We can and should build on that flexible tradition.